Skip to main content

Advertisement

Log in

Performing Gender: A Content Analysis of Gender Display in Music Videos

  • Original Article
  • Published:
Sex Roles Aims and scope Submit manuscript

Abstract

This study investigated differences in gender display by male and female performers in music videos. Goffman’s (1976) conceptual framework of gender display was refined and expanded upon as a basis for analyzing 12 nonverbal displays associated with subordination, domination, sexuality, and aggression in music videos by an equal number of male and female lead performers. 34 music videos on U.S. cable stations MTV and MTV2 were divided into 30-second segments, resulting in 253 units that were coded for gender display. Findings revealed that significant gender displays primarily reinforced stereotypical notions of women as sexual objects, and to a lesser degree, females as subordinate and males as aggressive. Implications of music videos’ portrayal of stereotypical gender displays and their role in the construction and maintenance of the gender status quo are discussed.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Allan, K., & Coltrane, S. (1996). Gender displaying television commercials: A comparative study of television commercials in the 1950s and 1980s. Sex Roles, 35, 185–203.

    Article  Google Scholar 

  • American Academy of Pediatrics. (1996). Impact of music lyrics and music videos on children and youth (RE9648). Pediatrics, 98, 1219–1221.

    Google Scholar 

  • American Psychological Association, Task Force on the Sexualization of Girls. (2007). Report of the APA Task Force on the Sexualization of Girls. Retrieved from www.apa.org/pi/wpo/sexualization.html

  • Aubrey, J. S., Harrison, K., Kramer, L., & Yellin, J. (2003). Variety vs. timing: Gender differences in college students’ sexual expectations as predicted by exposure to sexually oriented television. Communication Research, 30, 432–460.

    Article  Google Scholar 

  • Bandura, A. (1986). Social foundations of thought and action: A social cognitive theory. Englewood Cliffs: Prentice Hall.

    Google Scholar 

  • Banet-Weiser, S. (2004). Girls rule! Gender, feminism and Nickelodeon. Critical Studies in Media Communication, 21, 119–131.

    Article  Google Scholar 

  • Barnett, R., & Rivers, C. (2004). Same difference: How gender myths are hurting our relationships, our children, and our jobs. New York: Basic Books.

    Google Scholar 

  • Bartsch, R. A., Burnett, T., Diller, T. R., & Rankin-Williams, E. (2000). Gender representation in television commercials: Updating an update. Sex Roles, 43, 735–743.

    Article  Google Scholar 

  • Baxter, R., De Riemer, C., Landini, A., Leslie, L., & Singletary, M. W. (1985). A content analysis of music videos. Journal of Broadcasting & Electronic Media, 29, 333–340.

    Google Scholar 

  • Beebe, R., & Middleton, J. (Eds.). (2007). Medium cool: Music videos from soundies to cellphones. Durham: Duke University Press.

    Google Scholar 

  • Belknap, P., & Leonard, W. M., II. (1991). A conceptual replication and extension of Erving Goffman’s study of gender advertisements. Sex Roles, 25, 103–118.

    Article  Google Scholar 

  • Bordo, S. (1993). Unbearable weight: Feminism, culture and the body. Berkeley: University of California Press.

    Google Scholar 

  • Bretl, D. J., & Cantor, J. (1988). The portrayal of men and women in U.S. television commercials: A recent content analysis and trends over 15 years. Sex Roles, 18, 595–609.

    Article  Google Scholar 

  • Brown, J. D., & Campbell, K. (1986). Race and gender in music videos: The same beat but a different drummer. Journal of Communication, 36, 94–106.

    Article  Google Scholar 

  • Burgoon, J. K., & Bacue, A. (2003). Nonverbal communication skills. In J. O. Greene & B. R. Burleson (Eds.), Handbook of communication and social interaction skills (pp. 179–220). New York: Routledge.

    Google Scholar 

  • Burgoon, J. K., & Dillman, L. (1995). Gender, immediacy, and nonverbal communication. In P. J. Kalbfleisch & M. J. Cody (Eds.), Gender, power, and communication in human relationships (pp. 63–81). Hillsdale: Lawrence Erlbaum Associates.

    Google Scholar 

  • Burgoon, J. K., & Le Poire, B. A. (1999). Nonverbal cues and interpersonal judgments: Participant and observer perceptions of intimacy, dominance, composure, and formality. Communication Monographs, 66, 105–124.

    Article  Google Scholar 

  • Bussey, K., & Bandura, A. (1999). Social cognitive theory of gender development and differentiation. Psychological Review, 106, 676–713.

    Article  PubMed  Google Scholar 

  • Caramanica, J. (2005). I screen, you screen. The new age of music video. New York Times. Retrieved from http://www.nytimes.com/2005/07/31/arts/music/31cara.html?th&emc=th

  • Carney, D. R., Hall, J. A., & Smith LeBeau, L. (2001). Beliefs about the nonverbal expression of social power. Unpublished manuscript.

  • Children Now. (1996–2003). Reflections of girls in the media: A two-part study on gender and media. Retrieved from http://www.childrennow.org/media/mc97/ReflectSummary.html

  • Cioffi, F. (2000). Stating the obvious: What does Erving Goffman really tell us? In G. A. Fine & G. W. H. Smith (Eds.), Erving Goffman (pp. 97–104). London: Sage.

    Google Scholar 

  • Coates, N. (1997). (R)evolution now? Rock and the political potential of gender. In S. Whitely (Ed.), Sexing the groove: Popular music and gender (pp. 50–64). London: Routledge.

    Google Scholar 

  • Cummins, R. G. (2007). Selling music with sex: The content and effects of sex in music videos on viewer enjoyment. Journal of Promotion Management, 13, 95–109.

    Article  Google Scholar 

  • Davis, D. M. (1990). Portrayals of women in prime-time network television: some demographic characteristics. Sex Roles, 23, 325–332.

    Article  Google Scholar 

  • Emerson, R. A. (2002). “Where my girls at?” Negotiating black womanhood in music videos. Gender & Society, 16, 115–135.

    Article  Google Scholar 

  • Gamson, W. A., Croteau, D., Hoynes, W., & Sasson, T. (1992). Media images and the social construction of reality. Annual Review of Sociology, 18, 373–393.

    Article  Google Scholar 

  • Gan, S., Zillmann, D., & Mitrook, M. (1997). Stereotyping effect of black woman’s sexual rap on white audiences. Basic and Applied Psychology, 19, 381–399.

    Article  Google Scholar 

  • Ganahl, D. J., Prinsen, T. J., & Netzley, S. B. (2003). A content analysis of prime time commercials: A contextual framework of gender representation. Sex Roles, 49, 545–551.

    Article  Google Scholar 

  • Gauntlett, D. (2002). Media, gender and identity. London: Routledge.

    Book  Google Scholar 

  • Giles, H., & Le Poire, B. A. (2006). Introduction: The ubiquity and social meaningfulness of nonverbal communication. In V. Manusov & M. L. Patterson (Eds.), The Sage handbook of nonverbal communication (pp. xv–xxvii). Thousand Oaks: Sage.

    Google Scholar 

  • Goffman, E. (1976). Gender advertisements. New York: Harper Colophon Books.

    Google Scholar 

  • Gow, J. (1990). The relationship between violent and sexual images and the popularity of music videos. Popular Music & Society, 14(4), 1–10.

    Google Scholar 

  • Gow, J. (1996). Reconsidering gender roles on MTV: Depictions in the most popular music videos of the early 1990s. Communication Reports, 9, 151–161.

    Google Scholar 

  • Grebb, M. (2006). Rock, rap & revenue. Cable Fax Magazine. Retrieved from http://www.cablefax.com/cablefaxmag/business/competition/web/18707.html

  • Hall, J. A., Carter, J. D., & Horgan, T. G. (2000). Gender differences in nonverbal communication of emotion. In A. H. Fischer (Ed.), Gender and emotion: Social psychological perspectives (pp. 97–117). Cambridge: Cambridge University Press.

    Google Scholar 

  • Hansen, C. H., & Hansen, R. D. (1988). How rock music videos can change what is seen when boy meets girl: Priming stereotypic appraisal of social interactions. Sex Roles, 19, 287–316.

    Article  Google Scholar 

  • Hansen, C. H., & Hansen, R. D. (1990). The influence of sex and violence on the appeal of rock music videos. Communication Research, 17, 212–234.

    Article  Google Scholar 

  • Hansen, C. H., & Hansen, R. D. (2000). Music and music videos. In D. Zillmann & P. Vorderer (Eds.), Media entertainment: The psychology of its appeal (pp. 175–196). Mahwah: Lawrence Erlbaum Associates.

    Google Scholar 

  • Harrigan, J. A., Lucic, K. S., Kay, D., McLaney, A., & Rosenthal, R. (1991). Effect of expresser role and type of self-touching on observers’ perceptions. Journal of Applied Social Psychology, 21, 585–609.

    Article  Google Scholar 

  • Hay, C. (1998, September 26). Viewer opinions sought. Billboard, 5–6.

  • Hecht, M., & LaFrance, M. (1998). License or obligation to smile: The effect of power and sex on amount and type of smiling. Personality and Social Psychology Bulletin, 24, 1332–1342.

    Article  Google Scholar 

  • Henley, N. (1995). Body politics revisited: What do we know today? In P. J. Kalbfleisch & M. J. Cody (Eds.), Gender, power, and communication in human relationships (pp. 27–61). Hillsdale: Lawrence Erlbaum Associates.

    Google Scholar 

  • Hyde, J. S. (2005). The gender similarities hypothesis. American Psychologist, 60, 581–592.

    Article  PubMed  Google Scholar 

  • Jhally, S. (Writer/Director/Producer). (1990). Dreamworlds: Gender/sex/power in rock video [Videotape]. United States.

  • Jhally, S. (Writer/Director/Producer). (1995). Dreamworlds II: Gender/sex/power in music video. [Videotape]. United States.

  • Jones, S. (2005). MTV: The medium was the message. Critical Studies in Media Communication, 22, 83–88.

    Article  Google Scholar 

  • Kalis, P., & Neuendorf, K. A. (1989). Aggressive cue prominence and gender participation in MTV. Journalism Quarterly, 66, 148–154. 229.

    Google Scholar 

  • Kaloff, L. (1999). The effects of gender and music video imagery on sexual attitudes. The Journal of Social Psychology, 139, 378–385.

    Article  Google Scholar 

  • Kang, M.-E. (1997). The portrayal of women’s images in magazine advertisements: Goffman’s gender analysis revisited. Sex Roles, 37, 979–996.

    Article  Google Scholar 

  • Kaplan, E. A. (1987). Rocking around the clock: Music television, postmodernism, and consumer culture. New York: Methuen.

    Google Scholar 

  • LaFrance, M., & Mayo, C. (1978). Moving bodies: Nonverbal communication in social relationships. Monterey: Brooks.

    Google Scholar 

  • LaFrance, M., Hecht, M. A., & Paluck, E. L. (2003). The contingent smile: A meta-analysis of sex differences. Psychological Bulletin, 129, 305–334.

    Article  PubMed  Google Scholar 

  • Leeds, J. (2002, December 18). MTV’s playlist to focus more on popular acts. Los Angeles Times, p. C2.

  • Leonard, M. (1997). “Rebel girl, you are the queen of my world”: Feminism, “subculture” and grrrl power. In S. Whitely (Ed.), Sexing the groove: Popular music and gender (pp. 230–255). New York: Routledge.

    Google Scholar 

  • Leonard, M. (2007). Gender in the music industry: Rock, discourse and girl power. Burlington: Ashgate.

    Google Scholar 

  • Levy, A. (2005). Female chauvinist pigs: Women and the rise of raunch culture. New York: Free.

    Google Scholar 

  • Lewis, L. (1990). Gender politics and MTV: Voicing the difference. Philadelphia: Temple University Press.

    Google Scholar 

  • Major, B., Schmidlin, A. M., & Williams, L. (1990). Gender patterns in social touch: The impact of setting and age. Journal of Personality and Social Psychology, 58, 634–643.

    Article  PubMed  Google Scholar 

  • Mayo, C., & Henley, N. M. (1981). Nonverbal behavior: Barrier or agent for sex role change? In C. Mayo & N. M. Henley (Eds.), Gender and nonverbal behavior (pp. 3–13). New York: Springer-Verlag.

    Google Scholar 

  • McRobbie, A. (2004). Notes on postfeminism and popular culture: Bridget Jones and the new gender regime. In A. Harris (Ed.), All about the girl: Culture, power, and identity (pp. 3–13). New York: Routledge.

    Google Scholar 

  • Morgan, M. (1987). Television, sex-role attitudes, and sex-role behavior. Journal of Early Adolescence, 7, 269–282.

    Article  Google Scholar 

  • MTV Networks International. (2004). MTV global factsheet. Retrieved from http://www.mcdepk.com/mtvpartnership/downloads/mtv_global_fact_sheet.pdf

  • Pardun, C. J., L’Engle, K. L., & Brown, J. D. (2005). Linking exposure to outcomes: Early adolescents’ consumption of sexual content in six media. Mass Communication & Society, 8, 75–91.

    Article  Google Scholar 

  • Pieper, K. M., Chan, E., & Smith, S. L. (2005, June). Methodological issues in content analyses of video games. Paper presented at the meeting of the International Communication Association, New York, New York.

  • Railton, D., & Watson, P. (2005). Naughty girls and red blooded women: Representations of female heterosexuality in music video. Feminist Media Studies, 5, 51–63.

    Google Scholar 

  • Raviv, A., Bar-Tal, D., Raviv, A., & Ben-Horin, A. (1996). Adolescent idolization of pop singers: Causes, expression and reliance. Journal of Youth and Adolescence, 25, 631–650.

    Article  Google Scholar 

  • Roberts, D. F., & Christenson, P. G. (2001). Popular music in childhood and adolescence. In D. G. Singer & J. L. Singer (Eds.), Handbook of children and the media (pp. 395–414). Thousand Oaks: Sage.

    Google Scholar 

  • Rouner, D., Slater, M. D., & Domenech-Rodriguez, M. (2003). Adolescent evaluation of gender role and sexual imagery in television advertisements. Journal of Broadcasting & Electronic Media, 47, 435–454.

    Article  Google Scholar 

  • Seidman, S. A. (1992). An investigation of sex-role stereotyping in music videos. Journal of Broadcasting & Electronic Media, 36, 209–216.

    Google Scholar 

  • Sherman, B. L., & Dominick, J. R. (1986). Violence and sex in music videos: TV and rock ‘n’ roll. Journal of Communication, 36, 79–92.

    Article  Google Scholar 

  • Signorielli, N. (1989). Television and conceptions about sex roles: Maintaining conventionality and the status quo. Sex Roles, 21, 341–360.

    Article  Google Scholar 

  • Signorielli, N. (2009). Race and sex in prime time: A look at occupations and occupational prestige. Mass Communication and Society, 12, 332–352.

    Google Scholar 

  • Signorielli, N., McLeod, D., & Healy, E. (1994). Gender stereotypes in MTV commercials: the beat goes on. Journal of Broadcasting & Electronic Media, 38, 91–101.

    Google Scholar 

  • Smith, G. (1996). Gender advertisements revisited: A visual sociology classic. Electronic Journal of Sociology. Retrieved from http://www.sociology.org/content/vol002.001/smith.html

  • Smith, S. L., & Boyson, A. R. (2002). Violence in music videos: Examining the prevalence and context of physical aggression. Journal of Communication, 52, 61–83.

    Article  Google Scholar 

  • Sommers-Flanagan, R., Sommers-Flanagan, J., & Davis, B. (1993). What’s happening on music television? A gender role content analysis. Sex Roles, 28, 745–753.

    Article  Google Scholar 

  • Strouse, J. S., Goodwin, M. P., & Roscoe, B. (1994). Correlates of attitudes toward sexual harassment among early adolescents. Sex Roles, 31, 559–577.

    Article  Google Scholar 

  • Strouse, J. S., Buerkal-Rothfuss, N. L., & Long, E. C. (1995). Gender and family as moderators of the relationship between music video exposure and adolescent sexual permissiveness. Adolescence, 30, 505–521.

    PubMed  Google Scholar 

  • Tapper, J., Thorson, E., & Black, D. (1994). Variations in music videos as a function of their musical genre. Journal of Broadcasting & Electronic Media, 38, 103–113.

    Google Scholar 

  • Vernallis, C. (2004). Experiencing music video: Aesthetics and cultural context. New York: Columbia University Press.

    Google Scholar 

  • Vincent, R. C. (1989). Clio’s consciousness raised? Portrayal of women in rock videos re-examined. Journalism Quarterly, 66, 155–160.

    Google Scholar 

  • Vincent, R. C., Davis, D. K., & Boruszkowski, L. A. (1987). Sexism on MTV: The portrayal of women in rock videos. Journalism Quarterly, 64, 750–755. 941.

    Google Scholar 

  • Want, S. C., Vickers, K., & Amos, J. (2009). The influence of television programs on appearance satisfaction: Making and mitigating social comparisons to “Friends. Sex Roles, 60, 642–654.

    Article  Google Scholar 

  • Ward, L. M. (2002). Does television exposure affect emerging adults’ attitudes and assumptions about sexual relationships? Correlation and experimental confirmation. Journal of Youth and Adolescence, 31, 1–15.

    Article  Google Scholar 

  • Ward, L. M. (2003). Understanding the role of entertainment media in the sexual socialization of American youth: A review of empirical research. Developmental Review, 23, 347–388.

    Article  Google Scholar 

  • Ward, L. M., Hansbrough, E., & Walker, E. (2005). Contributions of music video exposure to black adolescents’ gender and sexual schemas. Journal of Adolescent Research, 20, 143–166.

    Article  Google Scholar 

  • West, C., & Zimmerman, D. H. (1991). Doing gender. In J. Lorber & S. A. Farrell (Eds.), The social construction of gender (pp. 13–37). Newbury Park: Sage.

    Google Scholar 

  • Whitely, S. (2000). Women and popular music: Sexuality, identity and subjectivity. London: Routledge.

    Google Scholar 

  • Williams, F., & Monge, P. (2001). Reasoning with statistics: How to read quantitative research (5th ed.). Fort Worth: Harcourt.

    Google Scholar 

  • Zhang, Y., Miller, L. E., & Harrison, K. (2008). The relationship between exposure to sexual music videos and young adults’ sexual attitudes. Journal of Broadcasting and Electronic Media, 52, 368–386.

    Article  Google Scholar 

Download references

Acknowledgements

An earlier version of this paper was presented at the National Communication Association Annual Meeting in Boston, November 2005. The author would like to thank three anonymous reviewers, Irene Frieze, and Rena Rudy for their careful readings and helpful comments on this paper. Heartfelt gratitude as well goes to Margaret McLaughlin for her guidance on several drafts of the manuscript. I also wish to thank Josh Barbour and Xi Cui for assistance with data analysis.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Cara Wallis.

Rights and permissions

Reprints and permissions

About this article

Cite this article

Wallis, C. Performing Gender: A Content Analysis of Gender Display in Music Videos. Sex Roles 64, 160–172 (2011). https://doi.org/10.1007/s11199-010-9814-2

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11199-010-9814-2

Keywords

Navigation