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The artification of corporate identity: aesthetic convergences of culture and capital

Angela Bargenda (ESCE International Business School, INSEEC U. Research Center, Paris, France)

Qualitative Market Research

ISSN: 1352-2752

Article publication date: 20 February 2020

Issue publication date: 11 December 2020

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Abstract

Purpose

The purpose of this paper is to critically examine the claim that artworks and corporate art collections contribute a qualitative dimension to corporate identity by satisfying aesthetic, social and cultural standards.

Design/methodology/approach

To explore the qualitative research purpose, the theoretical framework is supplemented with in-depth interview data from five European banks.

Findings

The findings show that corporate art achieves synergies between culture and capital, internal and external communication and thus offers significant opportunities for innovative marketing communication and identity-building strategies.

Practical implications

The paper provides insights into how the arts interface with branding-related innovations, assisting managers in long-term decisions on value-based branding and identity construction.

Social implications

Increased arts engagement by corporations creates new synergies between cultural institutions and corporations through partnerships and philanthropic initiatives.

Originality/value

The originality of the paper is twofold. It thematically explores the under-researched field of art in marketing scholarship. From a methodological point of view, the research design is multidisciplinary and thus delineates new avenues for marketing practice and scholarship.

Keywords

Citation

Bargenda, A. (2020), "The artification of corporate identity: aesthetic convergences of culture and capital", Qualitative Market Research, Vol. 23 No. 4, pp. 797-819. https://doi.org/10.1108/QMR-12-2017-0182

Publisher

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Emerald Publishing Limited

Copyright © 2020, Emerald Publishing Limited

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