Abstract
This article provides a research-driven pedagogical perspective on world-building, drawing upon the author’s experiences teaching Beowulf in a multimodal composition course at the Georgia Institute of Technology. World-building and multimodal pedagogy may combine smoothly in first-year college composition courses to simultaneously introduce students to medieval literature and communications concepts. For many students, such courses are their only required exposure to either field; by using world-building techniques, instructors may create an inclusive and student-centered course, one that does not force a choice between literary study and learning practices of compositional rhetoric.
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Notes
For expected education outcomes of ENGL 1102 at Georgia Tech, see ‘Common Policies’ (2017).
I deliberately generalize work to protect student privacy.
Student scorn for composition is well known and explored; instructor and institutional contempt for the craft is insidiously omnipresent but rarely acknowledged, and yet practiced upon the most vulnerable members of our profession.
To encourage reflection, I return to the exercise at the end of the unit.
Palmeri (2012, 23–84) provides an excellent history of process as a dominant concept in writing and composition practices.
My colleague Kara L. McShane of Ursinus College first used this exercise while we were teaching at the University of Rochester.
Genre-based writing is a creative use of conceptual and alphabetic templates; writing guides such as Graff and Birkenstein (2014) make this explicit to students and instructors by identifying ‘key moves’ and providing template phrases that help students overcome phrasing-based conceptual blocks.
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Johnson, V.B. Engineering Beowulf: World-building in a multimodal composition classroom. Postmedieval 9, 44–57 (2018). https://doi.org/10.1057/s41280-017-0065-z
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DOI: https://doi.org/10.1057/s41280-017-0065-z