Skip to main content

Intimacy and Value: Telling the Self Through Figures

  • Chapter
  • First Online:
  • 1196 Accesses

Abstract

In this chapter, I use a figurative analysis in discussing how figures of the best friend, the Other girl, the hot guy, creep, and the boyfriend affectively circulate in the WSWCM public. Summoning a host of easily recognisable affects, narratives and consequences, these figures are invoked to tell a story about the self in ways that alternately suggest valuable affective qualities of resilience, moderation, likeability and desirability. The dialectical relation between the best friend and Other girl tells the self in terms of the ability to oscillate between desirable feminine affects such as warmth and care, but also discernment, and disciplinary judgment. While best friends mirror a normative self, Other girls are positioned as always on the ‘extremities’ and thus outside the boundaries of ‘normal’ femininity. The hot guy, boyfriend and the creep allow the self to be told in terms of active heterosexual desire as well as desirability. However, in keeping with the requirement to demonstrate an affective ‘moderation’, bloggers avow the problems in being able to successfully approach heterosexual love interests at the same time as demonstrating a taken-for-granted competency in evaluating and rejecting undeserving masculinities. The use of figures showcases the ability to balance relationships and their associated affects, and in doing so, tell the self in terms of individual relatable value.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   84.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • ‘America’s Next Top Model.’ 2003. United States: CBS Television Distribution.

    Google Scholar 

  • Adamson, Andrew. 2007. Shrek the Third. United States: Paramount Pictures.

    Google Scholar 

  • Austin, J.L. 1962. How to Do Things with Words. Oxford: Clarendon Press.

    Google Scholar 

  • Australian Human Rights Commission. 2017. Change the Course: National Report on Sexual Assault and Sexual Harassment at Australian Universities. Sydney: Australian Human Rights Commission.

    Google Scholar 

  • Bays, Carter, and Craig Thomas. 2005. How I Met Your Mother. United States: 20th Television.

    Google Scholar 

  • Berlant, Lauren. 2008. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham: Duke University Press.

    Book  Google Scholar 

  • Butler, Judith. 2006. Gender Trouble. 2nd ed. New York: Routledge Classics.

    Google Scholar 

  • Carell, Steve. 2005. The 40 Year Old Virgin. United States: Universal Pictures.

    Google Scholar 

  • Curtis, Richard, Andrew Davies, and Helen Fielding. 2001. Bridget Jones’ Diary. UK, France, USA: Universal Pictures.

    Google Scholar 

  • Dobson, Amy Shields. 2011. “The Representation of Female Friendships on Young Women’s MySpace Profiles: The All-Female world and the Feminine ‘Other’.” In Youth Culture and Net Culture: Online Social Practices, edited by E. Dunkels, G. M. Franberg, and C. Hallgren. Hershey, PA: IGI Global.

    Google Scholar 

  • Dobson, Amy Shields. 2012. “‘Individuality Is Everything’: ‘Autonomous’ Femininity in MySpace Mottos and Self-descriptions.” Continuum 26 (3):371–383. https://doi.org/10.1080/10304312.2012.665835.

    Article  Google Scholar 

  • du Gay, Paul. 1996. Consumption and Identity at Work. London: Sage.

    Book  Google Scholar 

  • Eleftheriou-Smith, Loulla-Mae. 2015. “Bic Apologises for Sexist ‘Think Like a Man’ Advert Designed to Celebrate Women’s Day.” Last Modified August 11. http://www.independent.co.uk/news/world/bic-apologises-for-sexist-think-like-a-man-advert-designed-to-celebrate-south-africa-womens-day-10449842.html, Accessed September 19, 2016.

  • Farvid, Panteá, Virginia Braun, and Casey Rowney. 2016. “‘No Girl Wants to Be Called a Slut!’: Women, Heterosexual Casual Sex and the Sexual Double Standard.” Journal of Gender Studies: 1–17. https://doi.org/10.1080/09589236.2016.1150818.

  • Fey, Tina. 2004. Mean Girls. United States: Paramount Pictures.

    Google Scholar 

  • Fjær, Eivind Grip, Willy Pedersen, and Sveinung Sandberg. 2015. ““I’m Not One of Those Girls”: Boundary-Work and the Sexual Double Standard in a Liberal Hookup Context.” Gender & Society 29 (6): 960–981. https://doi.org/10.1177/0891243215602107.

    Article  Google Scholar 

  • Gill, Rosalind. 2007. Gender and the Media. Cambridge: Polity Press.

    Google Scholar 

  • Hurwitz, Mitchell. 2003. Arrested Development. United States: 20th Television.

    Google Scholar 

  • Jarrett, Kylie. 2015. Feminism, Labour and Digital Media: The Digital Housewife. London: Routledge.

    Google Scholar 

  • Kalish, Rachel, and Michael Kimmel. 2011. “Hooking Up: Hot Hetero Sex or the New Numb Normative?” Australian Feminist Studies 26 (67): 137–151. https://doi.org/10.1080/08164649.2011.546333.

    Article  Google Scholar 

  • Kimmel, Michael. 2015. “A Recipe for Sexual Assault.” Last Modified August 24, http://www.theatlantic.com/education/archive/2015/08/what-makes-a-campus-rape-prone/402065/. Accessed October 10, 2017.

  • Lazar, Michelle M. 2011. “The Right to be Beautiful: Postfeminist Identity and Consumer Beauty Advertising.” In New Femininities: Postfeminism, Neoliberalism and Subjectivity, edited by Rosalind Gill and Christina Scharff, 37–51. Basingstoke: Palgrave Macmillan.

    Chapter  Google Scholar 

  • Leonard, Suzanne. 2007. “‘I Hate My Job, I Hate Everybody Here’: Adultery, Boredom, and the ‘Working Girl’ in Twenty-First Century American Cinema.” In Interrogating Postfeminism: Gender and the Politics of Popular Culture, edited by Yvonne Tasker and Diane Negra, 100–131. Durham and London: Duke University Press.

    Google Scholar 

  • Leven, Jeremy. 2004. The Notebook. United States: New Line Cinema.

    Google Scholar 

  • Loeb, Allan, and Timothy Dowling. 2011. Just Go With It. United States: Columbia Pictures.

    Google Scholar 

  • Lury, Celia. 1998. Prosthetic Culture: Photography, Memory and Identity. London and New York: Routledge.

    Book  Google Scholar 

  • Macpherson, C.B. 1962. The Political Theory of Possessive Individualism: Hobbes to Locke. Oxford: Clarendon Press.

    Google Scholar 

  • Mannuevo, Mona. 2016. “Caught in a Bad Romance? Affective Attachments in Contemporary Academia.” In The Post-Fordist Sexual Contract: Living and Working in Contingency, 71–88. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • McRobbie, Angela. 2009. The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage.

    Google Scholar 

  • McRobbie, Angela. 2015. “Notes on the Perfect.” Australian Feminist Studies 30 (83): 3–20. https://doi.org/10.1080/08164649.2015.1011485.

    Article  Google Scholar 

  • O’Brien, Mike. 2011. “7 Minutes in Heaven.” YouTube, Last Modified July 28. https://www.youtube.com/watch?v=NHaiXtr2Gpw. Accessed March 13, 2017.

  • Ronen, Shelly. 2010. “Grinding On the Dance Floor: Gendered Scripts and Sexualized Dancing at College Parties.” Gender & Society 24 (3): 355–377. https://doi.org/10.1177/0891243210369894.

    Article  Google Scholar 

  • Scovell, Nell. 1996. Sabrina, the Teenage Witch. United States: Paramount Domestic Television Distribution.

    Google Scholar 

  • Shifman, Limor. 2014. Memes in Digital Culture. Cambridge, MA: The MIT Press.

    Google Scholar 

  • Skeggs, Beverley. 2004. Class, Self, Culture. London: Routledge.

    Google Scholar 

  • Skeggs, Beverley. 2005. “The Making of Class and Gender Through Visualizing Moral Subject Formation.” Sociology 39 (5): 965–982. https://doi.org/10.1177/0038038505058381.

    Article  Google Scholar 

  • Skeggs, Beverley. 2009. “The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television.” The Sociological Review 57 (4): 626–644. https://doi.org/10.1111/j.1467-954x.2009.01865.x.

    Article  Google Scholar 

  • Skeggs, Beverley, and Helen Wood. 2013. Reacting to Reality Television: Performance, Audience and Value. London: Routledge.

    Google Scholar 

  • Skeggs, Beverley, and Simon Yuill. 2016. “Capital Experimentation with Person/a Formation: How Facebook’s Monetization Refigures the Relationship between Property, Personhood and Protest.” Information, Communication & Society 19 (3): 380–396. https://doi.org/10.1080/1369118x.2015.1111403.

    Article  Google Scholar 

  • Star, Darren. 1998. Sex and the City. United States: HBO Enterprises.

    Google Scholar 

  • Strathern, Marilyn. 1992. After Nature: English Kinship in the Late Twentieth Century. Cambridge: Cambridge University Press.

    Google Scholar 

  • Tyler, Imogen. 2008. “Chav Mum Chav Scum”. Feminist Media Studies 8 (1):17–34. https://doi.org/10.1080/14680770701824779.

    Article  Google Scholar 

  • Universities UK. 2016. Changing the Culture: Report of the Universities UK Taskforce Examining Violence Against Women, Harassment and Hate Crime Affecting University Students. London: Universities UK.

    Google Scholar 

  • ‘The Voice.’ 2011. United States: Warner Bros Television Distribution.

    Google Scholar 

  • Weiner, Matthew. 2007. Mad Men. Los Angeles: Lionsgate.

    Google Scholar 

  • White, Mike. 2003. School of Rock. Edited by Richard Linklater. United States: Paramount Pictures.

    Google Scholar 

  • Winch, Alison. 2013. Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan.

    Book  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Kanai, A. (2019). Intimacy and Value: Telling the Self Through Figures. In: Gender and Relatability in Digital Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-91515-9_4

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-91515-9_4

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-319-91514-2

  • Online ISBN: 978-3-319-91515-9

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics