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The Odyssey of Reading Ulysses

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Abstract

In his quest for meaning, the fictionalized Joyce — the speaker and writer of the events within the imagined world — becomes an Odysseus figure within the novel. While Odysseus goes from place to place, Joyce goes from style to style. By temporarily assigning characters to a position of marginality, Joyce is calling attention to himself as creative presence and showing how the imagined world is dependent upon his language. Moreover, he is implying that, because the modern, urban post-Christian world acks order and coherence, his modern epic must not only be somewhat incomplete and inconclusive, but must present indeterminate and ambiguous passages to the reader.

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Notes

  1. Stephen Jay Gould, review essay of Evelyn Fox Feller, “A Feeling for Organism: The Life and Work of Barbara McClintock”, New York Review of Books, 31:5, 20 March 1984, pp. 3–6.

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  2. Mary Reynolds, Dante and Joyce, Princeton University Press, 1981, pp. 220.

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  3. Ted Cohen, “Metaphor and the Cultivation of Intimacy”, in On Metaphor, ed. Sheldon Sacks (University of Chicago Press, 1978) p. 6.

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  4. Johnathan Culler, On Deconstruction: Theory and Criticism after Structuralism (Ithaca, New York: Cornell University Press, 1982) p. 270.

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© 1987 Daniel R. Schwarz

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Schwarz, D.R. (1987). The Odyssey of Reading Ulysses. In: Reading Joyce’s Ulysses. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21414-3_4

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