Abstract
In his quest for meaning, the fictionalized Joyce — the speaker and writer of the events within the imagined world — becomes an Odysseus figure within the novel. While Odysseus goes from place to place, Joyce goes from style to style. By temporarily assigning characters to a position of marginality, Joyce is calling attention to himself as creative presence and showing how the imagined world is dependent upon his language. Moreover, he is implying that, because the modern, urban post-Christian world acks order and coherence, his modern epic must not only be somewhat incomplete and inconclusive, but must present indeterminate and ambiguous passages to the reader.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Stephen Jay Gould, review essay of Evelyn Fox Feller, “A Feeling for Organism: The Life and Work of Barbara McClintock”, New York Review of Books, 31:5, 20 March 1984, pp. 3–6.
Mary Reynolds, Dante and Joyce, Princeton University Press, 1981, pp. 220.
Ted Cohen, “Metaphor and the Cultivation of Intimacy”, in On Metaphor, ed. Sheldon Sacks (University of Chicago Press, 1978) p. 6.
Johnathan Culler, On Deconstruction: Theory and Criticism after Structuralism (Ithaca, New York: Cornell University Press, 1982) p. 270.
Author information
Authors and Affiliations
Copyright information
© 1987 Daniel R. Schwarz
About this chapter
Cite this chapter
Schwarz, D.R. (1987). The Odyssey of Reading Ulysses. In: Reading Joyce’s Ulysses. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-21414-3_4
Download citation
DOI: https://doi.org/10.1007/978-1-349-21414-3_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-333-55613-9
Online ISBN: 978-1-349-21414-3
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)